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 | Fire Proof Electronic Digital Safe Home Security Heavy Duty-Paragon Lock & Safe |  |  | US $149.97 | 6d 7h 23m |
 | Home Security Fire Proof Electronic Digital SafeHeavy Duty-Paragon Lock & Safe | | | US $125.95 | 3d 9h 18m |
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Proof Electronic Digital
Loud neighbors,music. Ive complained. Manager needs proof. Can I record in the hallway? Illegal? I'm in PA.
I live in PA and I'm worried about the Pennsylvania's Wiretapping and Electronic Surveillance Control Act
http://members.aol.com/StatutesP5/18.Cp.57A.html
My neighboors are so loud with their music and i've complained but my property managers want proof. You can hear their music in the hallway which is a public access area. If I just walk in the hallway with my digital camera and record how loud their music is is that considered illegal? I'm not wiretapping or recording their conversations just walking in my hallway and recording with my camera to show how loud their music is. What does everyone think? Is this illegal?
If you can hear their music in your apartment, then turn on the recorder in your apartment. Ask some of the other neighbors if it bothers them, they might assist you in getting this taken care of.
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| Fire Proof Electronic Digital Safe Home Security Heavy Duty-Paragon Lock & Safe | | | US $149.97 | 6d 7h 23m |
| Home Security Fire Proof Electronic Digital SafeHeavy Duty-Paragon Lock & Safe | | | US $125.95 | 3d 9h 18m |
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| | ELECTRONIC TABLE DIGITAL DRUM $214.99 ELECTRONIC TABLE DIGITAL DRUM |
| | Burdens of Proof (Hardcover) $60.62 The gradual disappearance of paper and its familiar evidential qualities affects almost every dimension of contemporary life. From health records to ballots, almost all documents are now digitized at some point of their life cycle, easily copied, altered, and distributed. In Burdens of Proof, Jean-Fran ois Blanchette examines the challenge of defining a new evidentiary framework for electronic documents, focusing on the design of a digital equivalent to handwritten signatures.From the blackboards of mathematicians to the halls of legislative assemblies, Blanchette traces the path of such an equivalent: digital signatures based on the mathematics of public-key cryptography. In the mid-1990s, cryptographic signatures formed the centerpiece of a worldwide wave of legal reform and of an ambitious cryptographic research agenda that sought to build privacy, anonymity, and accountability into the very infrastructure of the Internet. Yet markets for cryptographic products collapsed in the aftermath of the dot-com boom and bust along with cryptography`s social projects.Blanchette describes the trials of French bureaucracies as they wrestled with the application of electronic signatures to real estate contracts, birth certificates, and land titles, and tracks the convoluted paths through which electronic documents acquire moral authority. These paths suggest that the material world need not merely succumb to the virtual but, rather, can usefully inspire it. Indeed, Blanchette argues, in renewing their engagement with the material world, cryptographers might also find the key to broader acceptance of their design goals. |
| | Blue Electronic Digital Jewlery Safe Box $171.4 This OEM blue electronic digital jewelry safe features carpet padding and concealed hinges. Keep your possessions secure with this safe that mounts on the floor or the wall.Program and store up to eight (8) pin numbers (digit codes) Opens with secret pin code or included keys (lock is hidden from view) Constructed of 0.125-inch thick solid steel Heavy-duty chrome steel dual 0.75-inch pin bolt throw system (not just latch) Concealed, tamper-proof hinges Hidden lock with two (2) keys Door measures 2-inches thick Carpet padding on inside bottom Two (2) pieces of 2 1/2-inch anchor bolts are included Outside dimensions: 12 inches long x 8 inches deep x 8 inches high Inside dmension: 11.5 inches long x 7.25 inches deep x 7.25 inches high Four (4) AA batteries (included) Mount on floor or wall |
| | PC/Electronic Chassis Dust-Proof Filtering Mask (12.2cm Diagonal) $2.3 PC/Electronic Chassis Dust-Proof Filtering Mask (12.2cm Diagonal) |
| | PC/Electronic Chassis Dust-Proof Filtering Mask (9.2cm Diagonal) $1.8 PC/Electronic Chassis Dust-Proof Filtering Mask (9.2cm Diagonal) |
| | PC/Electronic Chassis Dust-Proof Filtering Mask (17.5cm Diagonal) $3.2 PC/Electronic Chassis Dust-Proof Filtering Mask (17.5cm Diagonal) |
| | PC/Electronic Chassis Dust-Proof Filtering Mask (13.7cm Diagonal) $2.4 PC/Electronic Chassis Dust-Proof Filtering Mask (13.7cm Diagonal) |
| | Management of Electronic and Digital Media $151.95 MANAGEMENT OF ELECTRONIC AND DIGITAL MEDIA, 5th Edition, provides the most accurate and current information on the management techniques used in the electronic and digital media industry. Written clearly and concisely, this text covers the most important aspects for future managers in the broadcast, cable, radio, and new media (Web and mobile) industries. |
| | Professional Electronic Compass and Digital Thermometer with Clock and Alarm $27.9 Professional Electronic Compass and Digital Thermometer with Clock and Alarm |
| | Red Digital Numbers of Electronic Exchange Rate Board $29.99 Red Digital Numbers of Electronic Exchange Rate Board - Photographic Print |
| | Electronic 'Ticker' at the All Digital the Tokyo Stock Exchange $39.99 Eightfish Electronic 'Ticker' at the All Digital the Tokyo Stock Exchange - Photographic Print |
| | Management of Electronic and Digital Media (Paperback) $247.35 MANAGEMENT OF ELECTRONIC AND DIGITAL MEDIA, 5th Edition, provides the most accurate and current information on the management techniques used in the electronic and digital media industry. Written clearly and concisely, this text covers the most important aspects for future managers in the broadcast, cable, radio, and new media (Web and mobile) industries. |
| | Electronic Specialties Pocket Digital - ESIEST20 $67.89 MPN #ESIEST20. Electronic Specialties Pocket Digital. Most Shop Equipment products are available for in-store pickup from Advance Auto Parts. |
| | TC Electronic M-350 $199 TC Electronic M-350 The TC Electronic M350 combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation, and compression. Included AU/VST compatible software editor allows for seamless control and editing integration with DAW systems. Through the included software editor, parameters and preset recalls may be fully automated or real-time controlled. High-density 24-bit processing and A/D/A conversion delivers the full transparency of TC reverbs and effects. Choice Selection of Effects The M350's reverbs include: classic TC hall, cathedral, ambience, room as well as plates and springs, and the comprehensive effects section includes a number of essential compression, modulation, and delay variations. Optimized Presets The 256 factory presets cover a wide range of applications and audio sources, and enable you to use the M350 right out of the box. With 99 additional user presets, the total number of presets amounts to 355. Easy Front Panel Access M350 was designed with the utmost user-friendliness in mind. All reverb and effect types and parameters are accessible directly from the front panel, ensuring maximum flexibility in any given situation. Perfect for Computer Recording Through the included software, the user can control and edit the M350's parameters stand-alone and in any AU/VST environment. Comprehensive I/O The auto-sensing digital input at 24 bit S/PDIF ensures bullet-proof input connection in any setup. Furthermore, the M350 comes with an easy-to-read preset display, and provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass. TC Electronic M350 Reverb and Effects Processor Features: Full DAW integration through VST/AU compatible editor 15 true and stunning stereo reverbs 15 legendary effects 5 seconds of delay 256 multi-effect/reverb presets + 99 user preset locations for a total of 355 presets Internal power supply — no wall wart Dual send/return and serial style setups Auto-sensing 24 bit S/PDIF digital I/O, 44.1-48 kHz Tap tempo Get Your TC Electronic M-350 Today! |
| | Proof $5.99 Proof |
| | 47285 - Reliance Digital Electronic Brake Control, User Friendly +\- Brake Strength Adjustment, Short Proof Protected, Diagnostic Error Codes, 2.4.6 Brake Syste $67.95 [BreakPack_719375] UPC: 79976472852 6.88L x 5.88W x 2.63H 0.82 LB |
| | TC Electronic Broadcast M-350 $199 TC Electronic Broadcast M-350 The TC Electronic M350 combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation, and compression. Included AU/VST compatiblesoftware editor allows for seamless control and editing integration with DAW systems. Through the included software editor, parameters and preset recalls may be fully automated or real-time controlled. High-density 24-bit processing and A/D/A conversion delivers the full transparency of TC reverbs and effects. Choice Selection of Effects The M350's reverbs include: classic TC hall, cathedral, ambience, room as well as plates and springs, and the comprehensive effects section includes a number of essential compression, modulation, and delay variations. Optimized Presets The 256 factory presets cover a wide range of applications and audio sources, and enable you to use the M350 right out of the box. With 99 additional user presets, the total number of presets amounts to 355. Easy Front Panel Access M350 was designed with the utmost user-friendliness in mind. All reverb and effect types and parameters are accessible directly from the front panel, ensuring maximumflexibility in any given situation. Perfect for Computer Recording Through the included software, the user can control and edit the M350's parameters stand-alone and in any AU/VST environment. Comprehensive I/O The auto-sensing digital input at 24 bit S/PDIF ensures bullet-proof input connection in any setup. Furthermore, the M350 comes with an easy-to-read preset display, and provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass. Features: Full DAW integration through VST/AU compatible editor 15 true and stunning stereo reverbs 15 legendary effects 5 seconds of delay 256 multi-effect/reverb presets + 99 user preset locations for a total of 355 presets Internal power supply — no wall wart Dual send/return and serial style setups Auto-sensing 24 bit S/PDIF digital I/O, 44.1-48 kHz Tap tempo Get Your TC Electronic Broadcast M-350 Today! |
| | TC Electronic Pro M-350 $199 TC Electronic Pro M-350 The TC Electronic M350 combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation, and compression. Included AU/VST compatible software editor allows for seamless control and editing integration with DAW systems. Through the included software editor, parameters and preset recalls may be fully automated or real-time controlled. High-density 24-bit processing and A/D/A conversion delivers the full transparency of TC reverbs and effects. Choice Selection of Effects The M350's reverbs include: classic TC hall, cathedral, ambience, room as well as plates and springs, and the comprehensive effects section includes a number of essential compression, modulation, and delay variations. Optimized Presets The 256 factory presets cover a wide range of applications and audio sources, and enable you to use the M350 right out of the box. With 99 additional user presets, the total number of presets amounts to 355. Easy Front Panel Access M350 was designed with the utmost user-friendliness in mind. All reverb and effect types and parameters are accessible directly from the front panel, ensuring maximum flexibility in any given situation. Perfect for Computer Recording Through the included software, the user can control and edit the M350's parameters stand-alone and in any AU/VST environment. Comprehensive I/O The auto-sensing digital input at 24 bit S/PDIF ensures bullet-proof input connection in any setup. Furthermore, the M350 comes with an easy-to-read preset display, and provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass. Features: Full DAW integration through VST/AU compatible editor 15 true and stunning stereo reverbs 15 legendary effects 5 seconds of delay 256 multi-effect/reverb presets + 99 user preset locations for a total of 355 presets Internal power supply — no wall wart Dual send/return and serial style setups Auto-sensing 24 bit S/PDIF digital I/O, 44.1-48 kHz Tap tempo Get Your TC Electronic Pro M-350 Today! |
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DICAPac Waterproof Cases for Digital Cameras & Cell Phones
Digital File Preparation Guide
Use Page Layout Programs such as InDesign or Quark
• Create your document in the exact size of the final trimmed piece. For example, if you are creating a letter size multiple-page document with facing pages, your page size would be 8.5x11, not 11x17.
• Use the master page to place common items such as page numbers in the same location on multiple pages.
• Create multiple-page documents in reader’s spreads.
• Extend images that bleed off the document page by an 1/8” (standard).
• Delete unused colors in the color palette from EPS and page layout files.
• Images that cross-over facing pages should be divided into two separate picture boxes and aligned on their respective pages.
• Scale bitmap images no more than 10% up or down from their original size. A drastic enlargement will cause loss of detail and a drastic reduction may extend imaging time and delay your job.
• Link images in your Illustrator and FreeHand files. Do not embed them.
Tip: Remember to include any special Quark Xtensions you may have used to create your document.
Tip: Creating files in drawing programs such as Illustrator, FreeHand or Corel Draw can sometimes incur additional charges by printers.
Saving images
• Save all PhotoShop files in the CMYK color mode, which includes any nested or embedded files.
• Submit PhotoShop files only in the TIFF or EPS formats (DCS is an EPS).
• Delete any unused alpha channels or clipping paths in flattened PhotoShop files.
• Delete unused colors in the color palette from Illustrator, FreeHand.
• Turn off JPEG, LZW, or ZIP compression in your PhotoShop files.
There are two types of images: Vector and Bitmap. Vector images consist of lines and curves you create in programs like Illustrator or Freehand.They are called vectors because they can be described in mathematical terms such as size, length and position .Vector graphics are device-independent, meaning they can be scaled up or down with no loss in detail.
Bitmap images are created in painting programs such as PhotoShop. Bitmaps (also called, raster images) are created on a grid with small squares called, pixels. Each pixel has a location and color value assigned to it. These images are device-dependent, meaning they have a fixed number of pixels for a given area. Images that look jagged or bitmapped do not have a sufficient amount of pixel information or resolution. A high resolution image will have more pixels per grid, which allows for greater detail and color transitions.
Tip: A formula for determining resolution (dpi) is: 1.5 x the line screen = resolution. Many still use the old formula of 2x the line screen, but there is no visible loss of detail at this lower dpi and it saves valuable disk space.
Image types
Bitmap (in Bitmap mode) Typically black & white images (no grays) used for text or logos. These should be saved at 600 dpi, as a TIFF and scaled to 100% of the intended size.The background can be set to
none.Use your page layout program to colorize the image.
Bitmap (in Grayscale or CMYK mode) These are black & white or color images.They should be saved at 225 dpi, as a TIFF or EPS and scaled to 100% of the intended size. Printers prefer TIFFs if there are no clipping
paths, because EPSs tend to have a slightly larger file size.The background should be set to white or a color in QuarkXpress.
Tip: If you are creating an image with a clipping path it must be saved as an EPS and the tolerance should be set between 2 and 4, with 2 being a tighter setting for irregular shapes.
Bitmap (in duotone mode) These images can be monotones, duotones, tritones or quadtones and must be saved as an EPS.
Tip: Use channel 1 for the darkest color and if you are using black make sure it says Black in the window, not Process Black (your page layout program will see it as a different color). Set the screen angles in your page layout program not in PhotoShop. Scott Lithographing can select them for you upon request.
Vector Can be saved at any size and scaled up or down in your page layout program (we suggest 100% for a better preview) and they can only be saved as an EPS.
Tip: Prevent gradient banding: Set the output resolution to 2540.
Color Modes
You may color correct in RGB or LAB, but save images that will be imported into you page layout program in CMYK mode. Importing in RGB will prevent the image from being output properly. RGB is for images that will only be viewed on a monitor.
Tip: Remember to calibrate your monitor frequently and delete any alpha channels to reduce the file size.
Color Selection
Spot (PMS) colors must use the same name in all image files. For instance, if you are using PMS 185 CV in a file and PMS 185 CVU in another, your page layout program will see them as two separate colors. Please indicate if a PMS color is to be spot or built out of process colors.
Tip: Keep in mind that some spot colors do not reproduce satisfactorily when built out of process.
Tip: If you are using metallic inks it is a good idea to aqueous coat or varnish the sheet to prevent smearing.
Fonts
• Be sure to include the printer and screen font for each Type 1 font.
• Check the font usage window to ensure you have included all your fonts.
• If you’ve used fonts in EPS artwork: Either convert the text to paths or include the font(s).
Basic types of fonts: PostScript, TrueType, OpenType.
Postscript comes in Type 1,2, or 3 (Type 1 is the most popular).You will have two fonts; the screen font and the printer font.The screen font is for
displaying the font on your screen (the icon shows a single "A").The printer font is used by printers and imagesetters to create the type mathematically.
TrueType contains both the screen and printer fonts in one file (the icon shows three "A”s).
OpenType fonts are gaining in popularity due to their cross-platform ability and flexibility. They are essentially a Type 1 or TrueType font in a TrueType shell, so you will have only one file per font weight or style (i.e., bold, italics, small caps, etc...).
Tip: Use current and brand name fonts whenever possible (ie.Adobe, Bitstream). Keep a compressed version of your font library and replace any fonts that cause printing problems.
Tip: Use the actual weight of the typeface, such as Helvetica Bold.Do not use menu styling.
Trapping
Printers normally handle trapping, so discuss any concerns you have. If you are comfortable doing your own, you should relay that to your printer. Although, it may make you liable for any trapping errors.
Spelling
As a rule, printers do not check the spelling of documents because they are not privy to the jargon, product names, or special pronouns of other industries. Spell-check and proof-read your document carefully. It’s also an excellent idea to have two other individuals proof-read the text before submittal.
PC Files
Printers were primarily Mac-based, but virtually all of them now accept PC files created in QuarkXpress, Pagemaker, InDesign, PhotoShop, Illustrator, Freehand, and Corel Draw EPS files. It’s a good idea to check with your printer before submitting files created with Microsoft products, such as MS Word or Publisher.
Collecting Files
I strongly suggest using the Collect for Output option when using QuarkXpress. Collect all the elements of your job (images, fonts and final files) and place them into one of three folders: Finals, Support, and Fonts.Do not send files that are not pertinent to the job. Please be aware that Quark will list the fonts on the collect for output report, but it will not collect them for you.
Tip: I strongly recommend using FlightCheck or your page layout program's "preflight" feature prior to submitting your files.
Media
Printers accept just about any media today, and many have ftp sites that can save you travel time.Your printer should have a list of acceptable media.
Archiving
Many printers archive your work for the purpose of rerunning it, but do not count on it! Be sure you have a back-up copy of your project. I suggest a regular archiving procedure to ensure you have your work in the future. Personally, I use a digital tape system with Retrospect, and I keep a full catalog outside the studio in the event of fire or other loss.
FINAL CHECK LIST:
• All electronic files, support images and fonts on disk
• All photos, transparencies, or art to be scanned
• Any special instructions
• A set of color proofs or lasers
• A set each of b&w laser composites/separations
• A mock-up (if applicable)
• A previously printed sample (if applicable)
About the Author
Derald Schultz is the founder and principal of Mediarail Design, Inc. A design firm based in Atlanta, Georgia specializing in graphic design, web design, and commercial printing services. Mr. Schultz holds degrees in Printing & Publishing, and Visual Communications. He worked within the design and printing communities for over 25 years before launching his own firm. Mediarail Design serves a wide variety clients across the country.
© 2006-2008 Derald Schultz, Mediarail Design, Inc.
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